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NX 2932
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NX 2932
TCHAIKOVSKY, P.I.: Swan Lake (Highlights) (Russian State Symphony, D. Yablonsky)

TCHAIKOVSKY, P.I.: Swan Lake (Highlights) (Russian State Symphony, D. Yablonsky)

The Classical Shop
release date: October 2012

Originally recorded in 2012

Artists:

Russian State Symphony Orchestra


Yablonsky, Dmitry


Dmitry Yablonsky

Conductor

Venue:

Studio 5 at the Moscow State Broadcasting and Recording House



Record Label
Naxos

Genre:

Ballet & Dance


Classical

Total Time - 72:17
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TCHAIKOVSKY, P.I.: Swan Lake (Highlights) (Russian State Symphony, D. Yablonsky)

     
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PYOTR IL'YICH TCHAIKOVSKY

     
 

Swan Lake, Op. 20

 
1 Introduction 2:25
2 Act I: Scene 3:09
3 Act I: Waltz 6:39
4 Act I: Pas de trois: Intrada 2:27
5 Act I: Pas de trois: Allegro semplice - Presto 1:05
6 Act I: Pas de trois: Moderato 1:22
7 Act I: Pas de trois: Allegro 1:03
8 Act I: Pas de trois: Coda: Allegro vivace 1:37
9 Act I: Dance of the goblets 3:51
10 Act I: Finale: Flight of the Swans 1:43
11 Act II: Dances of the swans: I. Tempo di valse 2:16
12 Act II: Dances of the swans: II. Moderato assai 1:39
13 Act II: Dances of the swans: IV. Allegro moderato 1:34
14 Act II: Dances of the swans: V. Andante- Allegro 7:30
15 Act II: Dances of the swans: VII. Coda: Allegro vivace 2:13
16 Act II: Scene: Moderato 2:17
17 Act III: Allegro giusto 2:39
18 Act III: Dance of the corps de ballet and dwarves 2:51
19 Act III: Arrival of the guests and waltz 3:22
20 Act III: Mazurka 3:32
21 Act III: Scene: Allegro 3:30
22 Act IV: Dance of the cygnets: Moderato 3:50
23 Act IV: Scene: Allegro agitato 3:09
24 Act IV: Finale 6:34
     
 Dmitry Yablonsky Conductor
 Yablonsky, Dmitry


Tchaikovsky was ideally equipped to write the music for the ballet Swan Lake. His gift for vivid theatricality, for lively, memorable melodies, and for rich characterisation was allied to a mastery of dance rhythms. These qualities were augmented by his command of orchestral colour. And yet early performances were disappointingly received. It was only after some structural and choreographic revisions in 1895, two years after the composer’s death, that the work was fully appreciated for the masterpiece that it is.

             ****
Pedro Sancho de la Jordana Dezcallar - Ritmo magazine - February 2013



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