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NX 3101
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NX 3101

MONTSALVATGE, X.: Madrigal sobre un tema popular / 5 Invocaciones al Crucificado / Folia daliniana (S.Cooke, Fain, Perspectives Ensemble, Gil-Ordóñez)

The Classical Shop
release date: December 2013

Recorded in 24 Bit / 88.2Khz
album available as a Studio File
Originally recorded in 2013

Artists:

Angel Gil-Ordóñez

Conductor

Blair McMillen

Soloist

Sato Moughalian

Soloist

Tim Fain

Soloist

Sasha Cooke

Soloist

James Austin Smith

Soloist

Wendy Sutter

Soloist

Perspectives Ensemble

Chamber

Venue:

Greenville Community Church, Scarsdale, New York, USA

Venue

Record Label
Naxos

Genre:

Orchestral & Concertos


Classical

Total Time - 62:18
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XAVIER MONTSALVATGE

     
1 

Folia daliniana

14:07
 Sato Moughalian Soloist
 James Austin Smith Soloist
 Angel Gil-Ordóñez Conductor
     
2 

Madrigal sobre un tema popular

05:15
 Sasha Cooke Soloist
 Wendy Sutter Soloist
 Angel Gil-Ordóñez Conductor
     
 

Concertino 1 + 13

 
3 I. Allegretto 05:00
4 II. Moderato 05:06
5 III. Moderato energico 02:05
 Tim Fain Soloist
 Angel Gil-Ordóñez Conductor
     
6 

Serenata a Lydia de Cadaques

09:33
 Sato Moughalian Soloist
 Blair McMillen Soloist
     
 

5 Invocaciones al Crucificado

 
7 No. 1. De passione Christi 04:44
8 No. 2. Pianto della Madonna 04:20
9 No. 3. La Vierge couronnee 02:59
10 No. 4. Lamentacion 06:16
11 No. 5. D'oracio de temps 02:53
 Sasha Cooke Soloist
 Angel Gil-Ordóñez Conductor
     


Spanish—and Catalan music in particular—was hugely enriched by the contribution made to its development in the latter part of the twentieth-century by Xavier Montsalvatge. Both as a composer and critic, his influence was widespread, and his music stylistically broad. Folia daliniana explores elements of fantasy and French-tinged refinement whilst one of his major song cycles, Cinco invocaciones al Crucificado, is a passionately intense meditation on Christ’s suffering. Whether rhapsodic or invoking rhythmic or popular dance forms, Montsalvatge’s music remains brilliant, clear and individualistic.

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