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OC 0414
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OC 0414
Organ Recital: Raml, Franz - BACH, J.S. / COUPERIN, F. / DAVIDE da BERGAMO / LEFEBURE-WELY, L.-J. / RHEINBERGER, J.G. (Rot an der Rot)

Organ Recital: Raml, Franz - BACH, J.S. / COUPERIN, F. / DAVIDE da BERGAMO / LEFEBURE-WELY, L.-J. / RHEINBERGER, J.G. (Rot an der Rot)

Released Date:
01 Mar 2012


Artists:

Franz Raml

Soloist

Record Label
Oehms Classics

Genre:

Instrumental


Classical

Total Time - 72:31
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Organ Recital: Raml, Franz - BACH, J.S. / COUPERIN, F. / DAVIDE da BERGAMO / LEFEBURE-WELY, L.-J. / RHEINBERGER, J.G. (Rot an der Rot)

     
Select Complete Single Disc for
     
 

JOHANN SEBASTIAN BACH

1 

Piece d'Orgue in G major, BWV 572, "Fantasia in G major"

 8:21
     
 

Pastorale in F major, BWV 590

  
2 I. Prelude 2:30
     
3 II. Allemande 1:58
     
4 III. Aria 3:04
     
5 IV. Gigue 3:06
     
 

FRANCOIS COUPERIN

 

Messe a l'usage ordinaire des paroisses (Mass for the Parishes)

  
6 Kyrie: Plein chant du premier Kyrie en taille 1:29
     
7 Kyrie: Recit de chromhorne 3:06
     
8 

Messe propre pour les convents de religieux et religieuses (Mass for the Convents)

 3:29
     
9 

Messe a l'usage ordinaire des paroisses (Mass for the Parishes)

 6:52
     
 

10 

Toccata [Pistoja]

 2:27
     
11 

Elevatione [Pistoja]

 4:05
     
12 

Post Communio [Pistoja]

 2:21
     
 

DAVIDE DA BERGAMO

13 

Suonatina in F major, "Per Offertorio e Postcommunio" [Version 2]

 3:18
     
 

LOUIS LEFEBURE-WELY

14 

Pastorale in G major

 2:58
     
15 

Sortie in G minor

 5:11
     
 

JOSEPH GABRIEL RHEINBERGER

 

Organ Sonata No. 4 in A minor, Op. 98

  
16 I. (Tempo moderato) 7:45
     
17 II. Intermezzo 5:26
     
18 III. Fuga cromatica 5:05
     
 Franz Raml Soloist


This album shows the enormous range of sound of the great Holzhey organ of the former monastery church Rot an der Rot with works from the baroque, classical and early romantic periods. Essentially a classical French baroque organ built in 1793, with cornets, borduns, reed stops, flutes and principals, one also finds typically South German stops such as strings, flutes and third-mixtures. At the same time, the late construction and intonation style by Holzhey also allows one to sense a certain proximity to the early romantic organ sound.
 
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