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OC 0621
BEETHOVEN, L. van: Symphony No. 3 / Egmont / Overture to Collin's Coriolan (Vienna Radio Symphony, de Billy)

BEETHOVEN, L. van: Symphony No. 3 / Egmont / Overture to Collin's Coriolan (Vienna Radio Symphony, de Billy)

The Classical Shop
release date: November 2011


Artists:

Vienna Radio Symphony Orchestra


Billy, Bertrand de


Bertrand de Billy

Conductor

Record Label
Oehms Classics

Genre:

Orchestral & Concertos


Classical

Total Time - 60:55
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BEETHOVEN, L. van: Symphony No. 3 / Egmont / Overture to Collin's Coriolan (Vienna Radio Symphony, de Billy)

     
Select Complete Single Disc for
 

LUDWIG VAN BEETHOVEN

 

Symphony No. 3 in E flat major, Op. 55, "Eroica"

 
1 I. Allegro con brio 16:09
     
2 II. Marcia funebre: Adagio assai 13:17
     
3 III. Scherzo: Allegro vivace 5:45
     
4 IV. Finale: Allegro molto 10:32
     
 

JOHANN WOLFGANG VON GOETHE

5 

Egmont, Op. 84

7:44
     
 

LUDWIG VAN BEETHOVEN

6 

Overture to Collin's Coriolan, Op. 62, "Coriolan Overture"

7:28
     
 Bertrand de Billy Conductor
 Billy, Bertrand de


Precise realization of Beethoven’s tempo indications, i.e. the composer’s metronome markings – which have been so often questioned –, are for Bertrand de Billy an important precondition for his own interpretory style, not out of pedantry or false musicological ambition, but because this is the only way to maintain a work’s true formal and structural relationships. In the first movement of Beethoven’s third symphony, for example, a tempo that is too slow disturbs the structure of the entire movement, which has led to the arbitrary tradition of not repeating the exposition – a repetition which Beethoven demanded. Bertrand de Billy conducts Beethoven’s Eroica – the result of intensive study of a score that due to its exceptional popularity is often performed without much reflection. As early as his recording of Schubert’s C Major Symphony (the “Great”, OC 339), de Billy – likewise with the RSO Vienna – proved that it is possible even today to interpret standard works of the classic period in a new, exemplary manner, and with a modern symphony orchestra. This album also includes the two “heroic” overtures, Egmont and Coriolan.

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