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OC 0662
BEETHOVEN, L. van: Piano Sonatas Nos. 24-28 (Korstick) (Beethoven Cycle, Vol. 9)

BEETHOVEN, L. van: Piano Sonatas Nos. 24-28 (Korstick) (Beethoven Cycle, Vol. 9)

Released Date:
01 Nov 2011


Artists:

Michael Korstick

Soloist

Record Label
Oehms Classics

Genre:

Instrumental


Classical

Total Time - 63:43
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BEETHOVEN, L. van: Piano Sonatas Nos. 24-28 (Korstick) (Beethoven Cycle, Vol. 9)

 

LUDVIG VAN BEETHOVEN

Select Complete Single Disc for
     
 

Piano Sonata No. 24 in F sharp major, Op. 78

  
1 I. Adagio cantabile - Allegro ma non troppo 6:30
     
2 

Piano Sonata No. 24 in F sharp major, Op. 78

 2:49
     
 

Piano Sonata No. 25 in G major, Op. 79

  
3 I. Presto alla tedesca 4:36
4 II. Andante 3:11
5 III. Vivace 1:54
     
 

Piano Sonata No. 26 in E flat major, Op. 81a, "Les adieux"

  
6 I. Das Lebewohl: Adagio - Allegro 6:46
7 II. Abwesenheit: Andante espressivo 3:59
8 III. Das Wiedersehn: Vivacissimamente 5:47
     
 

Piano Sonata No. 27 in E minor, Op. 90

  
9 I. Mit lebhaftigkeit und durchaus mit Empfindung und Ausdruck 2:48
10 II. Nicht zu geschwind und sehr singbar vorgetragen 5:20
     
 

Piano Sonata No. 28 in A major, Op. 101

  
11 I. Etwas lebhaft und mit der innigsten Empfindung 3:51
12 II. Lebhaft. Marschmassig 5:52
13 III. Langsam und sehnsuchtsvoll 3:16
14 IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit 7:04
     
 Michael Korstick Soloist


In Michael Korstick’s ninth volume of Beethoven sonatas, he presents Sonatas 24–28.

Michael Korstick does not see recordings as "snapshots“ that could be replaced at any time simply because some new aspect might be considered, but as the attempt to realize an ideal, an ideal with which the pianist would gladly be measured against in the long term.This is why, when preparing for a recording, Michael Korstick has made it a practice to go to the Bonn Beethoven House in order to study manuscripts, sketch books and first editions. As all reviews of the previously released volumes 1 to 8 verify, the results are always worth it.
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