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BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 (Klinger)

BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 (Klinger)

The Classical Shop
release date: November 2011


Sebastian Klinger


Record Label
Oehms Classics




Total Time - 134:01
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BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 (Klinger)




Cello Suite No. 1 in G major, BWV 1007


Select Complete Single Disc for
1 I. Prelude 2:07
2 II. Allemande 4:50
3 III. Courante 2:31
4 IV. Sarabande 2:40
5 V. Menuet I-II-I 3:20
6 VI. Gigue 1:48

Cello Suite No. 2 in D minor, BWV 1008

7 I. Prelude 3:37
8 II. Allemande 4:05
9 III. Courante 2:04
10 IV. Sarabande 4:03
11 V. Menuet I-II-I 3:15
12 VI. Gigue 2:39

Cello Suite No. 6 in D major, BWV 1012

13 I. Prelude 4:48
14 II. Allemande 8:27
15 III. Courante 3:40
16 IV. Sarabande 4:31
17 V. Gavotte I-II-I 4:14
18 VI. Gigue 4:00

Cello Suite No. 3 in C major, BWV 1009

1 I. Prelude 3:04

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2 II. Allemande 4:03
3 III. Courante 2:58
4 IV. Sarabande 3:42
5 V. Bourree I-II-I 3:29
6 VI. Gigue 3:07

Cello Suite No. 4 in E flat major, BWV 1010

7 I. Prelude 3:59
8 II. Allemande 4:18
9 III. Courante 3:27
10 IV. Sarabande 3:40
11 V. Bourree I-II-I 5:03
12 VI. Gigue 3:04

Cello Suite No. 5 in C minor, BWV 1011

13 I. Prelude 5:25
14 II. Allemande 5:15
15 III. Courante 2:09
16 IV. Sarabande 3:30
17 V. Gavotte I-II-I 4:50
18 VI. Gigue 2:19
 Sebastian Klinger Soloist

Sebastian Klinger is among today’s major young talents. His abilities as a cellist are unlimited and his musical expressivity is of the highest level.” Mariss Jansons, Principle Conductor of the BR Symphony Orchestra, is full of praise for Sebastian Klinger. This is one reason why the young musician – born in 1977 in Munich – was appointed solo cellist of the major ensemble in 2004 at only 27 years of age. And in fact, Sebastian Klinger is among the best and most versatile German cellists of his generation. He has now made his first recording for OehmsClassics: the 6 Suites for Violoncello solo by Johann Sebastian Bach. This cycle, written between 1717 and 1723 in Cöthen, is not only among the crowning works of music literature, it is simply the yardstick for every cellist. Sebastian Klingner – who is very aware of historical performance practice, but takes an undogmatic approach to it – has succeeded in giving this work his own special imprint.

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