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ON 4063
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ON 4063

Khachaturian: Spartacus (excerpts)/Gayaneh (excerpts)

The Classical Shop
release date: January 2012

Originally recorded in 2010

Artists:

Bournemouth Symphony Orchestra


Kirill Karabits



Venue:

Lighthouse, Poole



Producer:

Simon Kiln


Matthew Cosgrove

(Executive)

Engineer:

Arne Akselberg



Record Label
Onyx

Genre:

Orchestral & Concertos




Total Time - 73:00
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ARAM KHACHATURIAN

(1903-1978)
   
 

Spartacus (1956) (excerpts)

37:27  
1 Introduction - Dance of the Nymphs 5:12
2 Adagio of Aegina and Harmodius 7:48
3 Variations of Aegina and Bacchanalia 3:42
4 Scene and Dance with Crotala 4:07
5 Adagio of Spartacus and Phrygia 10:30
6 Dance of the Gaditanian Maidens 6:34
   
 

Gayaneh (1942) (excerpts)

35:10  
7 Dance of Friends 1:57
8 Carpet embroidery scene 2:59
9 Lezginka 2:51
10 Uzundara 2:39
11 Dance of the Girls 3:02
12 Scene and Dance 4:24
13 Aysha and Gayane 4:54
14 Aysha's monologue 4:20
15 Dance of the mountaineers 2:09
16 Sword dance 2:35
17 Hopak 3:17


The first in a series of recordings in a new partnership between ONYX, the BSO and their charismatic principal conductor, Kirill Karabits. Spartacus and Gayaneh  date from 1956 and 1942 respectively and have become firm favourites in both the ballet and concert repertoire with their passionate melodies and vivid orchestration.

              Editors Choice


" ...He [Karabits] is totally sympathetic to Khachaturian’s music and includes most of the best numbers from both ballets, including, from Gayaneh the Lezginka, Dance of the Girls, an engaging Scene and Dance , the deliciously sinuous pas de deux for Aysha and Gayaneh and Aysha’s Monologue. The playing truly catches the eastern Armenian flavour which makes Khachaturian’s music so seductive. The selection from Spartacus includes six highlights including the Introduction to Act 2 and dance of the Nymphs, the delicate Adagio of Aegina and Harmodius, the contrasting, sprightly Variation of Aegina and Bacchanalia, The Scene and Dance Crotala, and a passionate account of the justly famous Adagio of Spartacus and Phrygia. This is now easily the best disc of Khachaturian’s ballet music in the catalogue, full of vibrant life and seductive lyricism, and the recording (made this year in the Lighthouse, Poole) is first class in every way."

Ivan March - Gramophone magazine - February 2011
 


"Under Marin Alsop the Bournemouth Symphony Orchestra raised its game with recordings of Bernstein and Adams. Now its new director, Kirill Karabitis has chosen an impactful selection of music from Khachaturian’s ballets for his debut recording, affording a lively workout for the percussionists. Karabits downplays the bodice ripping elements, seamlessly blending perfumed woodwind and strings....."

Anna Picard - The Independent on Sunday - 5 December 2010


"Karabits is not that far from the composer himself, in terms of giving the music nobility and downplaying the ’wow’ factor. He almost never states the obvious. Onyx’s atmospheric, wide - ranging sound does its share to put these performances across as well - none of the comparison recordings comes close....This bodes well for Karabits and the Bournemouth S.O. Next release from them: Tchaikovsky and Mussorgsky."

International Record Review - January 2011


"Kirill Karabits included extracts from Spartacus and Gayaneh in the unforgettable 2009 Prom that marked the start of his tenure as the Bournemouth Symphony Orchestra’s principle conductor, so it seems appropriate that his first disc with the BSO for ONYX should give us an expanded survey of the same territory. The Spartacus highlights , in particular, leave you wanting the complete score. Karabits is notably good on the contrast between Roman decadence and revolutionary nobility. The shy tenderness at the start of the famous adagio for Spartacus and Phrygia speaks volumes when juxtaposed with the full-on erotics of the music for Crassus and Aegina, and though Karabits is more interested in love than armies, the one fight scene he includes is electrifying. The folk-based Gayaneh extracts showcase the BSO’s virtuosity. The dances are ordered so Karabits can end, as at the Prom, with the Gopak, the national dance of his native Ukraine. But it’s the hair-raising Lezginka, placed earlier, that leaves you open-mouthed." ****

Tim Ashley - The Guardian - 12 November 2010
 


            Classical CD of the Week

"The new ONYX relationship between the Bournemouth Symphony Orchestra and its principal conductor Kirill Karabits has more nourishing fare in the offing than these extracts from Khachaturian’s ballets Spartacus and Gayaneh. Recordings of Tchaikovsky and Mussorgsky are due out next year, but in the meantime this Khachaturian disc does showcase the dynamic spirit, the warmth and the sonorous glow that Karabits instils in the BSO’s playing......the consistently rewarding feature is the way Karabits so astutely guides the BSO in terms of colour, rhythm and shapely phrasing, bringing admirable delicacy to these scores as well as the ripeness for which they are renowned." ****

Geoffrey Norris - The Daily Telegraph - 13 November 2010
 


"Don’t panic, both the ‘Sabre Dance’ and "The Onedin Line” signature-tune are both present and correct. This generous selection from two of Khachaturian’s ballet-scores, Gayaneh and Spartacus, of roughly 35 minutes each, find the Bournemouth Symphony Orchestra and Kirill Karabits in terrific form as they launch their association with Onyx.Attractively slinky and languorous from the off, the movements from Spartacus (1956) are particularly beguiling and picturesque, swaying with potency, and leaving no doubt that the story is told through dance, the music engaging and passionate. Come ‘Adagio of Spartacus and Phrygia’ (cueing "The Onedin Line” credits), this is brought off with finesse and sensitivity before irrepressibly sweeping to a grand climax.....and clearly he and the Bournemouth Symphony have clearly established a vibrant partnership that serves well both of these colourful and suggestive scores...the sound, like the music, is gorgeous and generously reproduces what seems to have been a good time for the musicians and the conductor."

Colin Anderson - Classicalsource.com - 14 November 2010




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