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PN 0300
BIBER, H.I.F. von: Chamber Music (Karneval in Kremsier) (Ars Antiqua Austria, Letzbor)

BIBER, H.I.F. von: Chamber Music (Karneval in Kremsier) (Ars Antiqua Austria, Letzbor)

The Classical Shop
release date: January 2014

Originally recorded in 2014

Artists:

Gunar Letzbor

Conductor

Ars Antiqua Austria

Ensemble

Ars Antiqua Austria

Chamber

Venue:

Eremo di Ronzano, Bologna, Italy

Venue

Record Label
Pan Classics

Genre:

Chamber


Classical

Total Time - 74:32
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BIBER, H.I.F. von: Chamber Music (Karneval in Kremsier) (Ars Antiqua Austria, Letzbor)

     
Select Complete Single Disc for
 

HEINRICH IGNAZ FRANZ VON BIBER

     
 

Trombet undt musicalischer Taffeldienst

 
1 Intrada 00:58
2 Sonata - Allamanda - Courante - Sarabanda 04:55
3 Intrada 01:07
4 Gavotte - Gigue 02:41
5 Sonatina - Ciacona 03:10
     
 

Arien a 4

 
6 I. Allegro - Adagio 02:12
7 II. Allamanda - III. Amoresca - IV. Gigue - V. Sonatina 03:33
     
 

Harmonia Romana

 
8 Sonata - Presto - Courante - Fuga 06:16
9 Passagio 03:19
10 Saltarello - Allemanda - Gigue 05:53
     
 

Balleti in B Minor

 
11 [Intrada] - Ballo trezza - Aria - Die werber aria - Allamanda 06:42
12 Ciacona 02:10
     
13 

Arien a 4

05:03
     
 

Balleti in G Minor

 
14 Aria 1ma Barbaresca - Aria 2da - Intrada-Aria 2da 02:02
15 Aria 2 - Aria 3 02:09
16 Aria 4 - Aria 5 02:08
17 Aria 6 - Aria 7 02:45
18 Aria 8 - Campane 03:27
     
 

Balletti lamentabili

 
19 Sonata 03:10
20 Allemanda 02:43
21 Sarabande 02:25
22 Gavotte 00:49
23 Gigue 03:25
24 Lamenti adagio 01:30
     
 Ars Antiqua Austria Ensemble
 Gunar Letzbor Conductor


The violinist Gunar Letzbor is an established specialist in performing Austrian baroque music; in particular, he has especially intensively grappled with works of Biber, Muffat and Schmelzer, to name three examples. In so doing, he is constantly searching for the specifically Austrian baroque string sound. 
 
With the present recording of dance movements by Heinrich Ignaz Franz Biber, Letzbor and his Ensemble Ars Antiqua Austria portray a fictitious carnival at the court of the music-loving prince-bishop in Kremsier where a very independent, forward-looking orchestral sound was developing. Through the mixture of numerous instrumental timbres, a sonic variety was attained that already points ahead to the "modern" orchestral instrumentation of Viennese classicism. We can hear the special characteristics of Bohemian-Moravian folk music in many of the compositions from the Kremsier music collection recorded here.
 
The spectrum of the selected dance movements ranges from gallant and graceful to rustic and exuberant. Letzbor and his Ensemble play them with charm and élan – occasionally interrupted by the night watchman, who makes it known what time it is. Before the last movement is over, the tower clock suddenly strikes twelve times, bringing the happy hustle and bustle to an abrupt end; six Balletti lamentabili conclude this recording with the appropriate solemnity. 
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