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PT 6024
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PT 6024

BEETHOVEN: Piano Sonatas Nos. 21, 23 and 26

The Classical Shop
release date: November 2009

Recorded in 24 Bit / 96Khz
album available as a Studio Master

Artists:

Mari Kodama

Featured Artist

Record Label
PentaTone

Genre:

Classical




Total Time - 59:58
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LUDWIG VAN BEETHOVEN

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Piano Sonata No. 21 in C major, Op. 53, "Waldstein"

 
1 I. Allegro con brio 10:49
2 II. Introduzione: Adagio molto 3:18
3 III. Rondo: Allegretto moderato - Prestissimo 9:30
     
 

Piano Sonata No. 23 in F minor, Op. 57, "Appassionata"

 
4 I. Allegro assai 9:07
5 II. Andante con moto 6:17
6 III. Allegro ma non troppo - Presto 5:11
     
 

Piano Sonata No. 26 in E flat major, Op. 81a, "Les adieux"

 
7 I. Das Lebewohl: Adagio. Allegro 6:43
8 II. Abwesenheit: Andante espressivo 4:01
9 III. Das Wiedersehn: Vivacissimamente 5:02
     
 Mari Kodama Featured Artist
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“Perfect Piano Sound. Almost better than live”

A.Scampai

Stereoplay - August 2003

“There is a feline grace to her phrasing”

Phil Muse

Atlanta Audio Society - October 2003

“…this is one of the best Beethoven Sonata recordings I’ve ever heard! Ms. Kodama’s playing is superb throughout – her timing, phrasing and intonation are absolutely drop-dead gorgeous – every aspect of the playing here is absolutely of the highest order. The recorded sound is every bit the match – this may be the very best recording of solo piano music I own, and the multichannel SACD offers a most convincing illusion of the piano right there in the room.”

Tom Gibbs
 

Audiophile Audition - September 2003

“…this is a very full-bodied sound - marvellously weighted in the bass- and simply presented”

Ivor Humphreys

Gramophone - Awards Issue 2003

“Her “Appasionata” …is even more fiery than Pollini’s, with her Steinway sounding particularly masculine in this Dutch recording. She also plays Op. 53 (“Waldstein”), whose prestissimo Rondo holds no terrors for her and Op. 81a (“Les adieux”) whose C-minor farewell movement is most expressive in her hands. This is one of those “Super Audio CDs” that works fine on a conventional player.”

T. Hashimoto

The San Francisco Examiner - 16 September 2003



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