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PT 6026
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PT 6026

CHOPIN: Piano Concerto No. 2 / LOEWE: Piano Concerto No. 2

The Classical Shop
release date: November 2009

Recorded in 24 Bit / 96Khz


Artists:

Russian National Orchestra


Nagano, Kent


Kent Nagano

Featured Artist

Mari Kodama

Featured Artist

Record Label
PentaTone

Genre:

Choir




Total Time - 59:44
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FRYDERYK CHOPIN

 

Piano Concerto No. 2 in F minor, Op. 21

 
1 I. Maestoso 14:04
 Kent Nagano Featured Artist
     
2 II. Larghetto 9:08
 Kent Nagano Featured Artist
     
3 III. Allegro vivace 8:34
 Kent Nagano Featured Artist
     
 

CARL LOEWE

 

Piano Concerto No. 2 in A major

 
4 I. Allegro maestoso 9:52
 Mari Kodama Featured Artist
     
5 II. Espaniola: Andante grazioso 7:43
 Mari Kodama Featured Artist
     
6 III. Rondo: Vivace 10:23
 Mari Kodama Featured Artist
 Nagano, Kent
No Notes Found.

“The recording was made direct to DSD only last year in Moscow and is a clever pairing of two super virtuoso piano concertos back to back. The focus of the music and the sound is directly on the piano soloist and Kodama shines brilliantly......The surround mix is very natural and involving in its capturing the ambience of the concert hall.”

John Sunier

Audiophile Audition

“Mari Kodama who numbers Brendel and Tatiana Nikolaeva among her teachers, is an impressive soloist happy to note-spin with all the required ease and facility in the Loewe and to provide a good deal more in the Chopin.”

Bryce Morrison

Gramophone - April 2004

“Catchy is the very differentiated piano pallet of Mari Kodama: subtle, gracious with a lot of sparkling-sensitive details. Her virtuosity possesses a poetic calm, but shines with every note..”
 

Luister - May 2004

“Immediately at bar 1 the prejudice disappears. The way in which in a modest and courteous manner the musical thoughts are presented shows a refined ability to compose for the piano.”

Stephen Westra

Klassieke Zaken

“Aided and ably abetted by Kent Nagano and the Russian National Orchestra, the young formidably equipped Japanes pianist Mari Kodama has a lot of fun with the concerto, especially in its delightful, slightly cracked brained finale.”

Jim Svejda

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