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RC 0236
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RC 0236
LEGRENZI, G.B.: Prosa pro mortuis (Dies Irae - Sonate a quattro viole - Motetti) (Pierlot)

LEGRENZI, G.B.: Prosa pro mortuis (Dies Irae - Sonate a quattro viole - Motetti) (Pierlot)

The Classical Shop
release date: September 2013

Originally recorded in 2013

Artists:

Philippe Pierlot

Conductor

Ricercar Consort

Ensemble

Arnaud Marzorati

Soloist

Susan Hamilton

Soloist

Philippe Pierlot

Soloist

Francis Jacobs

Soloist

Kaori Uemura

Soloist

Ricercar Consort

Chamber

Record Label
Ricercar

Genre:

Chamber


Classical

Total Time - 54:31
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LEGRENZI, G.B.: Prosa pro mortuis (Dies Irae - Sonate a quattro viole - Motetti) (Pierlot)

     
Select Complete Single Disc for
 

GIOVANNI LEGRENZI

1 

Sonata sesta a 4

6:11
 Philippe Pierlot Soloist
 Kaori Uemura Soloist
     
 

Prosa pro mortuis

 
2 Dies Irae 0:54
3 Quantus tremor 1:12
4 Tuba mirum 1:03
5 Mors stupebit 0:50
6 Liber scriptus 0:59
7 Judex ergo 1:10
8 Quid sum miser 1:20
9 Rex tremendae 1:00
10 Recordare 0:53
11 Quarens me 1:17
12 Juste judex 0:38
13 Ingemisco 2:54
14 Qui Mariam 0:40
15 Preces meae 0:50
16 Inter oves 0:42
17 Confutatis 0:57
18 Oro suplex 2:49
19 Lacrimosa 1:16
20 Pie Jesu - Amen 1:27
 Ricercar Consort Ensemble
 Philippe Pierlot Conductor
     
 

ALESSANDRO POGLIETTI

21 

Ricercar No. 2

6:07
 Francis Jacobs Soloist
     
 

GIOVANNI LEGRENZI

22 

Angelorum ad convivia

6:35
 Susan Hamilton Soloist
 Philippe Pierlot Conductor
     
23 

Sonata quinta a 4

5:10
 Philippe Pierlot Soloist
 Kaori Uemura Soloist
     
24 

Suspiro Domine

7:37
 Arnaud Marzorati Soloist
 Philippe Pierlot Conductor
     


Legrenzis career was indeed eventful; before becoming maestro di cappella of St. Marks in Venice, he had been approached for a position at the court of Louis XIV and had also hoped for a function at the Imperial court in Vienna. This recording echoes these events with a monumental Dies Irae and motets that were found in the library of Sbastien de Brossard, as well as the Sonate a quatro for viols that originate in a collection dedicated to the Emperor. The compositions recorded here show us a musician whose lyricism is very much operatic in style, but who nevertheless displays a complete knowledge of polyphony.

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