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RC 0242
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RC 0242
Chamber Music - GOSSEC-FRANCOIS, J. / GRETRY, A.-E.-M. / PIELTAIN, D.-P. / GRESNICK, A.F. (Concertos et Symphonies concertantes) (Les Agremens, Waas)

Chamber Music - GOSSEC-FRANCOIS, J. / GRETRY, A.-E.-M. / PIELTAIN, D.-P. / GRESNICK, A.F. (Concertos et Symphonies concertantes) (Les Agremens, Waas)

The Classical Shop
release date: September 2013

Originally recorded in 2013

Artists:

Guy van Waas

Conductor

Jan de Winne

Soloist

Eric Hoeprich

Soloist

Jane Gower

Soloist

Patrick Cohen-Akenine

Soloist

Francois Poly

Soloist

Agremens, Les

Chamber

Record Label
Ricercar

Genre:

Chamber


Classical

Total Time - 58:45
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Chamber Music - GOSSEC-FRANCOIS, J. / GRETRY, A.-E.-M. / PIELTAIN, D.-P. / GRESNICK, A.F. (Concertos et Symphonies concertantes) (Les Agremens, Waas)

     
Select Complete Single Disc for
 

FRANCOIS-JOSEPH GOSSEC

 

Symphonie concertante No. 2 in D major, Op. 101, Br. 89 (arr. for chamber ensemble)

 
1 I. Andantino 6:50
2 II. Anglaise en rondeau 4:42
 Patrick Cohen-Akenine Soloist
 Francois Poly Soloist
     
 

ANDRE-ERNEST-MODESTE GRETRY

 

Flute Concerto in C major

 
3 I. Allegro 4:49
4 II. Larghetto 3:16
5 III. Allegro 4:54
 Jan de Winne Soloist
     
 

DIEUDONNE-PASCAL PIELTAIN

 

Violin Concerto No. 3 in B flat major

 
6 I. Allegro 11:08
7 II. Adagio 2:50
8 III. Rondo 6:13
 Patrick Cohen-Akenine Soloist
     
 

ANTOINE FREDERIC GRESNICK

 

Symphonie concertante in B flat major (arr. for chamber ensemble)

 
9 I. Allegro 8:22
10 II. Romance: Andante grazioso - Rondo: Allegro vivace 5:41
 Eric Hoeprich Soloist
 Jane Gower Soloist
     
 Guy van Waas Conductor


Collection Paris au temps du Concert spirituel Parisian concert halls welcomed composers and performers from throughout Europe during the second half of the 18th century, a goodly number of Walloons included. Gossec was indisputably the founder of the French symphonic tradition, although he was just as acclaimed in the fashionable Sinfonie Concertante style that had been imported from Mannheim. Grétry, uncontested master of the Opéra Comique, also presented an early work with clear Italian influences here. His compatriot, the Liège-born Pieltain, was a highly-regarded soloist at the "Concert Spirituel". Gresnick was initially based in Lyons but had his first Parisian successes shortly after the Revolution.

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