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RC 0280
Schütz: Historia der Auferstehung Jesu Christi

Schütz: Historia der Auferstehung Jesu Christi

The Classical Shop
release date: August 2014


Artists:

Mark Padmore

Performer

Paul Agnew

Performer

Greta de Reyghere

Performer

Monika Mauch

Performer

Max van Egmond

Performer

Ricercar Consort

Performer

Steve Dugardin

Performer

Vincent Gregoire

Performer

Agnès Mellon

Performer

Hervé Lamy

Performer

Stephan Van Dijck

Performer

Job Boswinkel

Performer

An Mertens

Performer

Record Label
Ricercar

Genre:

Baroque




Total Time - 137:37
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Schütz: Historia der Auferstehung Jesu Christi

     
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HEINRICH SCHÜTZ

 

Die sieben Worte Jesu Christi am Kreuz

 
1 I. Introïtus 2:04
2 II. Symphonia 1:22
3 III. Die sieben Worte 11:04
4 IV. Symphonia 1:27
5 V. Conclusio 1:33
 Agnès Mellon Performer
 Steve Dugardin Performer
 Stephan Van Dijck Performer
 Paul Agnew Performer
 Job Boswinkel Performer
 Ricercar Consort Performer
     
 

Historia der Auferstehung Jesu Christi

 
6 I. Chorus 1:11
7 II. Der Ostermorgen 6:04
8 III. Jesus erscheint Maria Magdalena 9:55
9 IV. Der Jüngling in Grabe 1:56
10 V. Jesus erscheintden Frauen 1:51
11 VI. Rat der Hohenpriester 1:50
12 VII. Jesus erscheint den Emmaüsjüngern 9:12
13 VIII. Jesus erscheint den Elf Jüngern 9:48
14 IX. Beschluß 1:20
 Mark Padmore Performer
 Steve Dugardin Performer
 Paul Agnew Performer
 Agnès Mellon Performer
 Monika Mauch Performer
 An Mertens Performer
     
 

JOHANN SEBASTIANI

 

Matthäus Passion

 
15 I. Sinfonia and Chorus 1:16
16 II. The Last Supper 9:40
17 III. The Mount of Olives 7:33
18 IV. The Arrest 9:27
19 V. Peter's Denial 4:09
20 VI. Sonata 2:04
21 VII. Jesus Before Pilate 14:59
22 VIII. Intrada et Lamento 3:33
23 IX. The Crucifixion 11:25
24 X. The Burial in the Tomb 8:05
25 XI. Trauer-Klag 4:49
 Greta de Reyghere Performer
 Vincent Gregoire Performer
 Stephan Van Dijck Performer
 Hervé Lamy Performer
 Max van Egmond Performer
 Ricercar Consort Performer
     


Schütz never ceases to surprise us with the great variety of musical styles he employs. The Sieben Worte Jesu Christi am Kreuz and the Historia der Aufferstehung Jesu Christi are conceived in very different ways, as much in the way that the accompaniments to the recitatives are constructed as in the theatricality with which the characters are imbued; the human aspect of the Sieben Worte is contrasted with the more abstract image of the characters in the Historia. Of Johann Sebastiani, however, we know practically nothing; his Matthäus Passion seems nonetheless to be heavily influenced by Schütz with an additional typically Lutheran touch given by the chorales that punctuate the various scenes of the Gospel narration.

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