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RC 0287
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RC 0287
Chamber Music (18th Century) - BEETHOVEN, L. van / RIES, F. / DANZI, F. (Ricercar Academy)

Chamber Music (18th Century) - BEETHOVEN, L. van / RIES, F. / DANZI, F. (Ricercar Academy)

The Classical Shop
release date: September 2013

Originally recorded in 2013

Artists:

Vienna Mozart Academy

Ensemble

Claude Maury

Soloist

Guy Penson

Soloist

Ricercar Academy

Chamber

Record Label
Ricercar

Genre:

Chamber


Classical

Total Time - 120:28
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Chamber Music (18th Century) - BEETHOVEN, L. van / RIES, F. / DANZI, F. (Ricercar Academy)

     
Select Complete Single Disc for
 

LUDWIG VAN BEETHOVEN

1 

Rondino in E flat major, WoO 25

5:31
 Claude Maury Soloist
     
 

Oboe Trio in C major, Op. 87

 
2 I. Allegro 7:27
3 II. Adagio cantabile 4:12
4 III. Menuetto: Allegro molto - Scherzo 2:38
5 IV. Finale: Presto 4:50
 Vienna Mozart Academy Ensemble
     
 

Sextet in E flat major, Op. 71

 
6 I. Adagio - Allegro 9:17
7 II. Adagio 3:54
8 III. Menuetto: Quasi allegretto 2:20
9 IV. Rondo: Allegro 3:41
 Vienna Mozart Academy Ensemble
     
10 

Variations in C major on La ci darema la mano from Mozart's Don Giovanni, WoO 28

9:16
 Vienna Mozart Academy Ensemble
     
 

Wind Quintet in E flat major, Hess 19

 
11 I. Allegro 7:35
12 II. Adagio maestoso 3:40
13 III. Minuetto: Allegro 1:39
 Claude Maury Soloist
     
 

FERDINAND RIES

 

Horn Sonata in F major, Op. 34

 
14 I. Larghetto 11:43
15 II. Andante 3:19
16 III. Rondo: Allegro 7:02
 Claude Maury Soloist
 Guy Penson Soloist
     
 

LUDWIG VAN BEETHOVEN

 

Horn Sonata in F major, Op. 17

 
17 I. Allegro moderato 8:27
18 II. Poco adagio, quasi andante 1:19
19 III. Rondo: Allegro moderato 4:52
 Claude Maury Soloist
 Guy Penson Soloist
     
 

FRANZ DANZI

 

Horn Sonata in E flat major, Op. 28

 
20 I. Adagio: Allegro 8:19
21 II. Larghetto 4:38
22 III. Allegretto 4:49
 Claude Maury Soloist
 Guy Penson Soloist
     


At the time when Beethoven had finally moved to Vienna, the mere act of writing for wind ensembles was greatly appreciated. Beethoven wrote several works before 1800 which were composed for such groups of wind instruments, and these works show us a composer with a pleasant style whose imagination is not limited by ingrained habit. Of all the wind instruments, it was the horn that best came to depict nature and the deep woods at the beginning of the 19th century; the Romantic composers were quick to take advantage of the new mastery of the instrument that Punto had developed, writing sonatas for the instrument of which those by Beethoven and his pupil Ries are the most well known.

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