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RC 0288
VIVALDI, A.: Violin Concertos - Op. 4, Nos. 1, 3, 4, 5, 6, 9, 11 (La Stravaganza) (La Pastorella, Roos)

VIVALDI, A.: Violin Concertos - Op. 4, Nos. 1, 3, 4, 5, 6, 9, 11 (La Stravaganza) (La Pastorella, Roos)

The Classical Shop
release date: September 2013

Originally recorded in 2013

Artists:

Frederic de Roos

Conductor

La Pastorella

Ensemble

Pastorella, La

Chamber

Record Label
Ricercar

Genre:

Orchestral & Concertos


Classical

Total Time - 56:04
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VIVALDI, A.: Violin Concertos - Op. 4, Nos. 1, 3, 4, 5, 6, 9, 11 (La Stravaganza) (La Pastorella, Roos)

     
Select Complete Single Disc for
 

ANTONIO VIVALDI

     
 

Violin Concerto in B flat major, Op. 4, No. 1, RV 383a

 
1 I. Allegro 2:58
2 II. Largo 2:03
3 III. Allegro 2:31
     
 

Violin Concerto in G major, Op. 4, No. 3, RV 301

 
4 I. Allegro 2:54
5 II. Largo 2:31
6 III. Allegro assai 3:04
     
 

Violin Concerto in A minor, Op. 4, No. 4, RV 357

 
7 I. Allegro 3:23
8 II. Grave e sempre piano 2:31
9 III. Allegro 2:37
     
 

Violin Concerto in A major, Op. 4, No. 5, RV 347

 
10 I. Allegro 3:30
11 II. Largo 2:21
12 III. Allegro 3:10
     
 

Violin Concerto in G minor, Op. 4, No. 6, RV 316a

 
13 I. Allegro 2:32
14 II. Largo 2:41
15 III. Allegro 4:08
     
 

Violin Concerto in F major, Op. 4, No. 9, RV 284

 
16 I. Allegro 2:43
17 II. Largo 2:05
18 III. Allegro 2:22
     
 

Violin Concerto in D major, Op. 4, No. 11, RV 204

 
19 I. Allegro 2:39
20 II. Largo 1:34
21 III. Allegro assai 1:47
     
 La Pastorella Ensemble
 Frederic de Roos Conductor


We have already explored the works Vivaldi composed for this particular ensemble of flute, oboe, violin and bassoon accompanied by the basso continuo on an earlier recording; Vivaldi seems to have been partial to such an ensemble, for he wrote ten concertos for this combination of instruments. Having studied these works assiduously and in depth, I can only regret that Vivaldi composed so few of them - or that so few of them have come down to us. Why should we not continue and extend what he had so clearly envisaged and adapt some of the finer works of the Venetian master for our ensemble?

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