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RC 0292
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RC 0292
SANCES, G.F.: Motets (Dulcis Amor Iesu) (Scherzi Musicali)

SANCES, G.F.: Motets (Dulcis Amor Iesu) (Scherzi Musicali)

The Classical Shop
release date: September 2013

Originally recorded in 2013

Artists:

Scherzi Musicali

Ensemble

Nicolas Achten

Soloist

Reinoud van Mechelen

Soloist

Sarah Ridy

Soloist

Marie de Roy

Soloist

Celine Vieslet

Soloist

Olivier Berten

Soloist

Scherzi Musicali

Chamber

Record Label
Ricercar

Genre:

Vocal & Song


Classical

Total Time - 73:01
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SANCES, G.F.: Motets (Dulcis Amor Iesu) (Scherzi Musicali)

     
Select Complete Single Disc for
 

GIOVANNI FELICE SANCES

 

Motetti a 1, 2, 3 and 4 voci

 
1 Iubilent in caelis 5:34
2 Iste confessor domini colentes 3:01
3 Dulcis amor Iesu 3:36
 Reinoud van Mechelen Soloist
 Celine Vieslet Soloist
     
 

GIOVANNI GIROLAMO KAPSBERGER

4 

Libro IV d'intavolatura di chitarrone

5:29
 Sarah Ridy Soloist
     
 

GIOVANNI FELICE SANCES

 

Motetti a 1, 2, 3 and 4 voci

 
5 Motetti a 1, 2, 3 and 4 voci: Salvum me fac 4:45
6 Motetti a 1, 2, 3 and 4 voci: Salve Regina 6:16
7 Motetti a 1, 2, 3 and 4 voci: Ciaccona / Domine ne memineris iniquitatum nostrarum 5:02
 Celine Vieslet Soloist
 Marie de Roy Soloist
     
8 

Motetti a voce sola

10:28
 Nicolas Achten Soloist
     
 

LUIGI ROSSI

9 

Orfeo

1:15
 Scherzi Musicali Ensemble
     
 

GIOVANNI FELICE SANCES

10 

Motetti a 1, 2, 3 and 4 voci

5:05
 Marie de Roy Soloist
 Olivier Berten Soloist
     
 

MICHELANGELO ROSSI

11 

Toccate e correnti: Toccata settima (arr. for chamber ensemble)

3:47
 Scherzi Musicali Ensemble
     
 

GIOVANNI FELICE SANCES

 

Motetti a 1, 2, 3 and 4 voci

 
12 O Iesu mi dulcissime 4:14
13 Magnificemus in cantico 4:41
14 Ave maris stella 3:17
15 Motetti a 1, 2, 3 and 4 voci: Laudemus viros gloriosos 6:31
 Olivier Berten Soloist
 Nicolas Achten Soloist
     


Although it seems that he was born in Rome, Giovanni Felice Sances received his training as a singer and as a composer in Venice. He went on to make his career in the service of three successive emperors in Vienna, entering the Imperial Chapel and going on to become one of the principal composers of that venerable institution. The sacred works recorded here are primarily from his first volume of motets; they reveal the talents of a composer who was well acquainted with not only the most modern compositional techniques but also with polyphonic style. His training as a singer also enabled him to write for the human voice with undeniable skill; his works still gave as much pleasure to the singers themselves as they do to those who listen.

 
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