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RM 1204
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RM 1204
Division Musick

Division Musick

The Classical Shop
release date: June 2014

Recorded in 24 Bit / 88.2Khz
album available as a Studio File

Artists:

Irene Klein

Performer

Johannes Strobl

Performer

Amandine Beyer

Performer

Jane Achtman

Performer

Record Label
Ramée

Genre:

Baroque




Total Time - 64:51
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Division Musick

     
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JOHN JENKINS

1 

Lyra Consort in D Major: 1. Ecco Coranto

2:46
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
2 

Lyra Consort in D Major: 2. Aire Pasionetta

2:30
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
3 

Lyra Consort in D Major: 3. Almaine

2:06
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
4 

Lyra Consort in D Major: 4. Coranto

1:41
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
5 

Lyra Consort in D Major: 5. Saraband

1:46
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
6 

Lyra Consort in D Major: 6. Saraband

0:51
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
 

WILLIAM LAWES

 

Suite for Two Division Viols and Organ in G Minor

 
7 1. Pavan 7:22
8 2. Aire 1:33
9 3. Aire 3:06
 Jane Achtman Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
 

CHRISTOPHER SIMPSON

10 

Division for Two Viols No. 7 in G Major

6:19
 Jane Achtman Performer
 Irene Klein Performer
     
 

THOMAS BALTZAR

11 

Prelude

2:54
 Amandine Beyer Performer
     
 

SOLOMON ECCLES

12 

A Division On a Ground By Mr. John Eckles

5:04
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
 

CHRISTOPHER SIMPSON

13 

Division for Two Viols No. 1 in C Major

2:18
 Jane Achtman Performer
 Irene Klein Performer
     
 

JOHN JENKINS

14 

Lyra Consort in D Minor: 1. Aire

2:03
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
15 

Lyra Consort in D Minor: 2. Almaine

1:50
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
16 

Lyra Consort in D Minor: 3. Coranto

1:15
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
17 

Lyra Consort in D Minor: 4. Coranto

1:17
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
 

CHRISTOPHER SIMPSON

18 

Division for Two Viols No. 5 in F Major

5:04
 Jane Achtman Performer
 Irene Klein Performer
     
 

JOHN BANISTER

19 

A Division On a Ground By Mr. Banister

2:42
 Amandine Beyer Performer
 Johannes Strobl Performer
     
 

JOHN JENKINS

20 

Lyra Consort in D Minor: 1. Almaine

2:59
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
21 

Lyra Consort in D Minor: 2. Coranto

2:06
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
22 

Lyra Consort in D Minor: 3. Saraband

2:25
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     
23 

Lyra Consort in D Minor: 4. The Pleasing Slumber

2:54
 Jane Achtman Performer
 Amandine Beyer Performer
 Irene Klein Performer
 Johannes Strobl Performer
     


 ”Division-Musick“ is a term used by Christopher Simpson during the 17th century to describe a typically English improvisatory style of diminution. Musicians generally used short bass melodies called grounds as the basis for intricate and virtuoso diminutions, beginning with simple and slow melodies over a bass melody, and ending with very fast and virtuosic diminutions after a varying number of repetitions of the melody. Both singers and instrumentalists practiced this art of diminution, but the preferred instrument for divisions was the so-called ”division viol“. This album aims to give some audible insight into English virtuosity in the Baroque era.

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