"To say that Bates captivated the audience is an understatement."

The Diapason

"Bates supplied some of the convention’s most consistenly satisfying playing.  His Dowland, Scheidt, Buxtehude, and Bach were assured, unfussy and naturally buoyant.  The gentle, vocal principal he used in the Buxtehude...was ravishing...Bates gave [Ikarus] an electrifying performance."

The American Organist
 

"[Bates’ composition] had the graphic richness of stained glass in its visual presentation. It was as exciting as any traditional organ piece, made even more tantalizing by short quotes from Bach’s ’St. Anne’ Fugue!"

The Diapason
 

"There were no dull moments Friday night. He played with an impressive command of the instrument, searching out marvelous registrations and keeping his intellect focused. He found freedom in unusual places and musical grandeur everywhere....[The smaller works] revealed the kind of colorist Bates is, just as larger works revealed Bates’ ability to make great musical architecture."

Seattle Post Intelligencer

"Bates has a beautifully refined technique, a profound understanding of rhythm and its subtleties, and a thorough sense of style."

The American Organist

"Bates’ [new composition] was impressive to both eye and ear....Among its attractions was the pleasure of ’tracking’ Bates’ performance as it unfolded via the elaborate graphic representations provided to the audience."

Early Keyboard Studies Newsletter