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SG 0134
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SG 0134
BACH, J.S.: Cantatas, Vol. 6 (Gardiner) - BWV 33, 35, 69a, 77, 137, 164

BACH, J.S.: Cantatas, Vol. 6 (Gardiner) - BWV 33, 35, 69a, 77, 137, 164

The Classical Shop
release date: October 2013

Originally recorded in 2000

Artists:

John Eliot Gardiner

Conductor

Katherine Fuge

Soloist

Gillian Keith

Soloist

Nathalie Stutzmann

Soloist

Robin Tyson

Soloist

Christoph Genz

Soloist

Monteverdi Choir

Choral

English Baroque Soloists

Chamber

Venue:

Jakobskirche, Kothen, Germany

Venue

Driekonigskirche, Frankfurt, Germany

Venue

Record Label
SDG

Genre:

Choir


Classical

Total Time - 111:18
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BACH, J.S.: Cantatas, Vol. 6 (Gardiner) - BWV 33, 35, 69a, 77, 137, 164

     
 

JOHANN SEBASTIAN BACH

     


Select Complete Single Disc for
 

Lobe den Herrn, meine Seele, BWV 69a

 
1 Lobe den Herrn, meine Seele (Chorus) 04:57
2 Recitative: Ach, dass ich tausend Zungen hatte! (Soprano) 00:49
3 Aria: Meine Seele, auf, erzahle (Tenor) 05:53
4 Recitative: Gedenk ich nur zuruck (Alto) 01:23
5 Aria: Mein Erloser und Erhalter (Bass) 03:20
6 Chorale: Was Gott tut, das ist wohlgetan 00:56
 Katherine Fuge Soloist
 Robin Tyson Soloist
     
 

Geist und Seele wird verwirret, BWV 35

 
7 Part I: Concerto 05:15
8 Part I: Aria: Geist und Seele wird verwirret (Alto) 07:49
9 Part I: Recitative: Ich wundre mich (Alto) 01:21
10 Part I: Aria: Gott hat alles wohlgemacht (Alto) 02:51
11 Part II: Sinfonia 03:25
12 Part II: Recitative: Ach, starker Gott, lass mich (Alto) 01:02
13 Part II: Aria: Ich wunsche nur bei Gott zu leben (Alto) 02:48
 Robin Tyson Soloist
     
 

Lobe den Herren, den machtigen Konig der Ehren, BWV 137

 
14 Lobe den Herren, den machtigen Konig der Ehren (Chorus) 02:57
15 Aria: Lobe den Herren, der alles so herrlich regieret (Alto) 03:15
16 Aria: Lobe den Herren, der kunstlich und fein dich bereitet (Bass, Soprano) 03:07
17 Aria: Lobe den Herren, der deinen Stand sichtbar gesegnet (Tenor) 02:35
18 Chorale: Lobe den Herren, was in mir ist, lobe den Namen! (Chorus) 00:54
 Katherine Fuge Soloist
 Robin Tyson Soloist


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Du sollt Gott, deinen Herren, lieben, BWV 77

 
1 Du sollt Gott, deinen Herren, lieben (Chorus) 05:49
2 Recitative: So muss er sein! (Bass) 00:37
3 Aria: Mein Gott, ich liebe dich von Herzen (Soprano) 04:01
4 Recitative: Gib mir dabei, mein Gott! (Tenor) 00:56
5 Aria: Ach, er bleibt in meiner Liebe (Alto) 04:09
6 Chorale: Ach Herr, ich wollte ja dein Recht 02:13
 Gillian Keith Soloist
 Nathalie Stutzmann Soloist
     
 

Ihr, die ihr euch von Christo nennet, BWV 164

 
7 Aria: Ihr, die ihr euch von Christo nennet (Tenor) 04:11
8 Recitative: Wir horen zwar, was selbst die Liebe spricht (Bass) 01:45
9 Aria: Nur durch Lieb und durch Erbarmen (Alto) 04:43
10 Recitative: Ach, schmelze doch durch deinen Liebesstrahl (Tenor) 01:21
11 Aria: Handen, die sich nicht verschliessen (Soprano, Bass) 03:21
12 Chorale: Ertot uns, durch dein Gute (Chorus) 00:54
 Gillian Keith Soloist
 Nathalie Stutzmann Soloist
     
 

Allein zu dir, Herr Jesu Christ, BWV 33

 
13 Allein zu dir, Herr Jesu Christ (Chorus) 04:30
14 Recitative: Mein Gott und Richter, willst du mich (Bass) 01:01
15 Aria: Wie furchtsam wankten meine Schritte (Alto) 10:43
16 Recitative: Mein Gott, verwirf mich nicht (Tenor) 01:01
17 Aria: Gott, der du die Liebe heisst (Tenor, Bass) 03:59
18 Chorale: Ehr sei Gott in dem hochsten Thron (Chorus) 01:27
 Nathalie Stutzmann Soloist
 Christoph Genz Soloist
     
 John Eliot Gardiner Conductor


With this release the Bach Cantata Pilgrimage moves on to Köthen and Frankfurt. Bach arrived in Köthen as ’Kapellmeister and director of our chamber music’ in 1717. Köthen provides one of the most cheerful programmes of the whole Trinity season. After so many consecutive weeks of fire and brimstone comes the huge relief of three genial, celebratory pieces. The opening chorus of BWV 69a Lobe den Herrn, meine Seele is freely composed and on the grandest scale. Bach is exultant, profiting from the colour contrasts available from the three groupings of his orchestra (brass, woodwind and strings). 
 
In 1725 Bach wrote BWV 137 Lobe den Herren, den mächtigen König der Ehren. It is a comparative rarity as it is his first cantata to have been constructed as a series of chorale variations in over twenty years. The highlight of the Frankfurt programme arguably is BWV 77 Du sollt Gott, deinen Herren lieben. Once again Bach does not disappoint. Here is one of those breathtaking, monumental opening choruses that defy rational explanation.

"A high point of Gardiner’s great Bach project" 

Financial Times

 



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