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SIG 055
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SIG 055

Cantabile - Lullabyes and Goodbyes

The Classical Shop
release date: June 2007

Recorded in 24 Bit / 44.1Khz
album available as a Studio Master
Originally recorded in 2007

Artists:

Malcolm Martineau

piano

Cantabile



Venue:

Angel Studios, London

24, 25, 26 Feb & 28 Jul 2004

Producer:

Adrian Peacock



Engineer:

Gary Thomas



Record Label
Signum

Genre:

Piano


Vocal & Song

Total Time - 74:35
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BILLY JOEL

1 

Lullabye (Goodnight, My Angel)

3:16
 

ENGELBERT HUMPERDINCK

2 

Evening Prayer

4:20
 

JACQUES OFFENBACH

3 

Barcarolle

2:47
 

RICHARD M. SHERMAN & ROBERT B. SHERMAN

4 

Hushabye Mountain

2:58
 

JOHANNES BRAHMS

5 

Wiegenlied

2:51
 

J.R.R. TOLKIEN

6 

Bilbo's Last Song

3:51
 

GEORGE GERSHWIN

7 

Lullaby

3:41
 

TRADITIONAL

8 

Haere Ra

1:48
 

MALCOLM SARGENT

9 

Hawaiian Lullaby

2:17
 

IRVING BERLIN

10 

Moonshine Lullaby

3:34
 

XAVIER MONTSALVATGE

11 

Cancion de Cuna para dormir a un Negrito

2:47
 

TRADITIONAL

12 

My Lagan Love

3:23
 

HUGO WOLF

13 

Schlafendes Jesuskind

3:18
 

GEORGE SHEARING

14 

Lullaby of Birdland

2:54
 

CLAUDIO MONTEVERDI

15 

Oblivion

3:31
 

DANIEL-FRANCOIS-ESPRIT AUBER

16 

Discendi, O Sonno Vago

4:30
 

CANTABILE

17 

Lullaby (Hush Macushla)

2:24
 

FRANZ SCHUBERT

18 

Macht und Träume

3:29
 

J.R.R. TOLKIEN

19 

Bilbo's Last Song

3:02
 

RICHARD M. SHERMAN & ROBERT B. SHERMAN

20 

Stay Awake

2:27
 

ANTONIN DVORAK

21 

Goin' Home

6:40
 

JOHN DANKWORTH

22 

Our Revels Now Are Ended

2:55
 

DAVID CULLEN

23 

Counting Up My Toes

1:52


Signum Records is delighted to announce the debut disc of Cantabile -  Lullabyes and Goodbyes. The disc has been long in preparation and is the first to be recorded by Cantabile since On the Tracks of the Comedian Harmonists.

Cantabile, are one of Britain’s longest- established vocal ensembles. Since they became widely known in the early nineteen-eighties they have mastered a wide array of musical styles and their flair for the stage continues to keep them in demand in theatres and cabaret as well as in concert halls and at festivals.

 

"Cantabile is an ensemble of four male voices, who, I believe, came together as a group while studying at Cambridge University in the 1980s. In the booklet note they say that this CD is "a project close to our hearts" on which they have worked for some time. In particular, they say, it offers them "the opportunity to do what we love most: to arrange and to sing repertoire from as wide a range of sources as possible."

Certainly, as a glance at the track-listing readily shows, their programme is a very eclectic mix. Nearly all the music is arranged by them and they clearly excel at this aspect of their work just as much as they do at performing. Some things are particularly enjoyable. For example, the melody that Donald Swann provides for Bilbo’s Last Song is quite lovely in its gentle nostalgia. I like John Dankworth’s setting of the same text too but it’s Swann’s that lodges more insidiously in the memory. I also think it perhaps catches the mood of the Hobbits in The Lord of the Rings more successfully. I also found Stay Awake to be a most engaging and soothing lullaby; I certainly wouldn’t want to drop off before I’d heard it through to the end! There’s much that is beautiful here. The arrangement of My Lagan Love, for instance, is most affecting and it’s a lovely tune. Whether the arrangements of items that were originally composed for solo voice by the likes of Brahms, Wolf and Schubert, or the Humperdinck piece work quite so well I’m not entirely sure. I definitely wish they’d left the sublime Nacht und Träume alone, even though they sing it extremely well. Schubert’s miniature masterpiece is so perfect that it should just be left to speak for itself. I liked the gently lilting piece by Montsalvatge and also Haere Rä - better known in English as ’Now is the Hour’ - complete with the sound of gently breaking waves in the background. Perhaps it’s inevitable that most of the items are slow in tempo but the George Shearing piece is a lively toe-tapper. And the concluding David Cullen item is fun - I can take its degree of deliberate "twee-ness".

As to the singing itself well that’s all first class. The four voices blend beautifully and there isn’t a sour note to be heard. Diction is consistently crystal clear although texts and English translations, where appropriate, are provided. As you’d expect, the contribution of Malcolm Martineau is first rate. Some may find the contents of this CD a little too heavily coated in sugar for their taste. However, I’d urge readers not to dismiss it out of hand on that account. There’s a great deal to enjoy here and I can imagine this being particularly restful and enjoyable late evening listening, perhaps with the fire burning gently and a glass of something warming at your elbow. Try this for something a bit different!"

John Quinn

Music Web - January 2006



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