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TC 0544
CORELLI, A.: Concerti Grossi, Op. 6 (Sardelli, Modo Antiquo)

CORELLI, A.: Concerti Grossi, Op. 6 (Sardelli, Modo Antiquo)

The Classical Shop
release date: April 2014

Originally recorded in 2014

Artists:

Federico Maria Sardelli

Conductor

Modo Antiquo

Ensemble

Modo Antiquo

Chamber

Venue:

Salone di Villa Rasponi, Firenze, Italy

Venue

Record Label
Tactus

Genre:

Orchestral & Concertos


Classical

Total Time - 125:53
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CORELLI, A.: Concerti Grossi, Op. 6 (Sardelli, Modo Antiquo)

     
 

ARCANGELO CORELLI

     


Select Complete Single Disc for
 

Concerto Grosso in D Major, Op. 6, No. 1

 
1 I. Largo 01:05
2 II. Allegro 01:31
3 III. Largo 01:20
4 IV. Allegro 01:07
5 V. Largo 03:03
6 VI. Allegro 01:46
7 VII. Allegro 01:53
     
 

Concerto Grosso in F Major, Op. 6, No. 2

 
8 I. Vivace - Allegro 01:03
9 II. Adagio 00:54
10 III. Vivace - Allegro 01:15
11 IV. Largo andante 00:55
12 V. Allegro 01:43
13 VI. Grave - Andante largo 01:51
14 VII. Allegro 01:54
     
 

Concerto Grosso in C Minor, Op. 6, No. 3

 
15 I. Largo 02:12
16 II. Allegro 01:53
17 III. Grave 01:51
18 IV. Vivace 02:10
19 V. Allegro 01:58
     
 

Concerto Grosso in D Major, Op. 6, No. 4*

 
20 I. Adagio - Allegro 03:13
21 II. Adagio 02:08
22 III. Vivace 00:55
23 IV. Allegro - 02:14
24 IV. Allegro 00:35
     
 

Concerto Grosso in B-Flat Major, Op. 6, No. 5

 
25 I. Adagio - 00:53
26 I. Allegro 02:21
27 II. Adagio 01:55
28 III. Allegro 02:08
29 IV. Largo 01:08
30 V. Allegro 01:48
     
 

Concerto Grosso in F Major, Op. 6, No. 6

 
31 I. Adagio 01:47
32 II. Allegro 01:49
33 III. Largo 03:21
34 IV. Vivace 02:07
35 V. Allegro 02:49
     
     
     


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Concerto Grosso in D Major, Op. 6, No. 7

 
1 I. Vivace 00:23
2 I. Allegro 01:02
3 II. Adagio 01:04
4 III. Allegro 01:55
5 IV. Andante largo 02:45
6 V. Allegro 01:03
7 VI. Vivace 01:07
     
 

Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto"

 
8 I. Vivace 00:14
9 I. Grave 01:17
10 II. Allegro 02:19
11 III. Adagio - Allegro - Adagio 03:15
12 IV. Vivace 01:09
13 V. Allegro 02:07
14 VI. Pastorale ad libitum: Largo 04:01
     
 

Concerto Grosso in F Major, Op. 6, No. 9

 
15 I. Preludio: Largo 01:20
16 II. Allemanda: Allegro 02:41
17 III. Corrente: Vivace 01:25
18 IV. Gavotta: Allegro 00:44
19 V. Adagio 00:44
20 VI. Minuetto: Vivace 01:27
     
 

Concerto Grosso in C Major, Op. 6, No. 10

 
21 I. Preludio: Andante largo 01:57
22 II. Allemanda: Allegro 02:30
23 III. Adagio 00:47
24 IV. Corrente: Vivace 02:28
25 V. Allegro 02:37
26 VI. Minuetto: Vivace 01:38
     
 

Concerto Grosso in B-Flat Major, Op. 6, No. 11

 
27 I. Preludio: Andante largo 02:11
28 II. Allemande - Allegro 02:22
29 III. Adagio 00:37
30 III. Andante largo 01:25
31 IV. Sarabanda - Largo 01:22
32 V. Giga - Vivace 01:11
     
 

Concerto Grosso in F Major, Op. 6, No. 12

 
33 I. Preludio: Adagio 02:22
34 II. Allegro 02:33
35 III. Adagio 01:33
36 IV. Sarabanda - Vivace 00:54
37 V. Giga - Allegro 02:49
     
 Modo Antiquo Ensemble
  Federico Maria Sardelli Conductor


 The research of Hans Joachim Marx and, later, of Franco Piperno concerning the documents relating to the performances which took place in Rome under the patronage of the Ottoboni (but also of the Accademia del Disegno di S. Luca and the Ruspoli family), testify to the existence of a practice which has been hitherto ignored: that of doubling the instrumental music composed and conducted by Corelli with all sorts of wind instruments. This practice, amply documented by the many payrolls of the musicians hired by Corelli, forces us to re-examine his music from a totally different point of view from that which has prevailed up until now, one which has been entirely dedicated to the faithful reproduction of the compositions printed by Roger in 1714. This is thus the first complete performance of the twelve Concerti Grossi by Corelli which attempts to reconstruct accurately the historical-musical context in which these works were created and glorified. A context which is rich, sumptuous and paradigmatic, and which has constituted for decades the European model to which musicians and patrons alike looked with admiration. Today this musical practice has been restored and re-proposed for the first time to the modern listener.

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