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CALDARA, A.: Chamber Music (L'Aura Soave Cremona)

CALDARA, A.: Chamber Music (L'Aura Soave Cremona)

The Classical Shop
release date: August 2014

Originally recorded in 2014

Artists:

Diego Cantalupi

Conductor

Aura Soave Cremona

Ensemble

Marco Frezzato

Soloist

Aura Soave Cremona

Chamber

Venue:

Abbazia S. Giovanni, Parma, Italy

Venue

Sala del Podesta Soresina, Cremona, Italy

Venue

Record Label
Tactus

Genre:

Chamber


Classical

Total Time - 147:48
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CALDARA, A.: Chamber Music (L'Aura Soave Cremona)

     
 

ANTONIO CALDARA

     


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Sonata da camera, Op. 2, No. 1

 
1 I. Preludio 01:40
2 II. Allemanda 01:36
3 III. Corrente 01:49
4 IV. Giga 01:18
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera in G Minor, Op. 2, No. 2

 
5 I. Preludio 01:26
6 II. Alemanda 01:26
7 III. Corrente 02:03
8 IV. Gavotta 00:50
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera in D Major, Op. 2, No. 3

 
9 I. Preludio 01:17
10 II. Alemanda 02:09
11 III. Giga 01:48
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera in G Minor, Op. 2, No. 4

 
12 I. Alemanda 03:37
13 II. Corrente 01:55
14 III. Gavota 00:37
15 IV. Giga 01:47
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera, Op. 2, No. 5

 
16 I. Preludio: Largo 01:21
17 II. Alemanda 01:26
18 III. Corrente 01:20
19 IV. Gavota 00:41
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera in A Major, Op. 2, No. 6

 
20 I. Alemanda 01:54
21 II. Corrente 01:52
22 III. Giga 01:21
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera, Op. 2, No. 7

 
23 I. Preludio 01:13
24 II. Alemanda 02:21
25 III. Corrente 01:26
26 IV. Tempo di sarabanda 01:56
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera in F Major, Op. 2, No. 8

 
27 I. Preludio 01:33
28 II. Alemanda 02:21
29 III. Corrente 01:57
30 IV. Tempo di sarabanda 02:38
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera, Op. 2, No. 9

 
31 I. Preludio 01:17
32 II. Alemanda 01:34
33 III. Corrente 01:54
34 IV. Giga 01:35
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera, Op. 2, No. 10

 
35 I. Alemanda 03:15
36 II. Corrente 01:46
37 III. Giga 01:46
38 IV. Gavota 01:43
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
 

Sonata da camera, Op. 2, No. 11

 
39 I. Preludio 01:51
40 II. Alemanda 01:44
41 III. Sarabanda 03:12
42 IV. Giga 01:42
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor
     
43 

Chiaccona in B-Flat Major, Op. 2, No. 12

05:25
 Aura Soave Cremona Ensemble
  Diego Cantalupi Conductor


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Cello Sonata No. 1 in A Major

 
1 I. Andante 02:15
2 II. Allegro 01:53
3 III. Larghetto 02:05
4 IV. Allegro 01:42
 Marco Frezzato Soloist
     
 

Cello Sonata No. 2 in D Major

 
5 I. Allegro 04:22
6 II. Largo 05:55
7 III. Allegro 01:45
 Marco Frezzato Soloist
     
 

Cello Sonata No. 9 in G Major

 
8 I. Allegro 03:16
9 II. Adagio 02:11
10 III. Allegro e vivace 02:04
11 IV. Allegro 02:45
 Marco Frezzato Soloist
     
 

Cello Sonata No. 12 in D Minor

 
12 I. Allegro 02:58
13 II. Allegro 02:41
14 III. Largo 02:37
15 IV. Allegro 01:44
 Marco Frezzato Soloist
     
 

Cello Sonata No. 13 in F Minor

 
16 I. Presto 01:29
17 II. Largo 02:23
18 III. Allegro 01:42
19 IV. Allegro stil di minuet 01:30
 Marco Frezzato Soloist
     
 

Cello Sonata No. 3 in B-Flat Major

 
20 I. Largo 02:29
21 II. Allegro 01:46
22 III. Aria andante 03:44
23 IV. Allegro assai 03:09
 Marco Frezzato Soloist
     
 

Cello Sonata No. 4 in D Minor

 
24 I. Allegro 02:07
25 II. Largo 04:06
26 III. Allegro 03:48
 Marco Frezzato Soloist
     


Antonio Caldara was born in Venice in around 1670. His father, Giuseppe, violinist and theorbo player in the ducal chapel of the basilica of St. Mark’s, was probably Antonio’s first music teacher. Although no certain testimony exists, it is likely that Giovanni Legrenzi (1626-1690), maestro di cappella at St. Mark’s until 1690, gave valuable lessons in composition to the young Caldara who, in 1689, at the mere age of nineteen, produced his first opera, L’Argene. Equally precocious as an instrumentalist, he was also hired in the same chapel of St. Mark’s, where both his father and Giovanni Legrenzi were employed. In the payrolls for the musicians, preserved in the Archivio di Stato in Venice, his name appears more than once between 1688 and 1695, both as a player of the “viola da spalla” and the “violoncino”. While there are composers whose names are today quite famous but who were little known during their lifetimes, in the case of Antonio Caldara the opposite is true. Above all in the last twenty years of his life, which ended in Vienna in 1736, he enjoyed - and rightfully so - enormous success, while the development of music history has seen his imagine fade inexplicably. Alongside a vast production of vocal music, his only significant instrumental works are two collections of trio sonatas “a due violini col basso” op. 1 and 2, written and published during his youth, as well as these “sonate a violoncello solo col basso”, composed in 1735, a year before his death.

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