Lute Works, 1517
This album is dedicated to Vincenzo Capirola (1474 - ca. 1550). It is intended both as a tribute and as a testimony: a tribute to one of the most important composers of the Italian early sixteeth century instrumental music; a testimony to the transformations that the music language brings to completion in one of the most extraordinary and rich periods in history of music. Actually, in the very first decades of the century composers begin to write and publish specific instrumental pieces. As a consequence, instrumental music starts to emerge from the shadows of the medieval period. This new attention to instruments (such as organ, viola, harpsichord and particularly lute) produces a creative flurry of new forms and languages which will characterize all the following instrumental music. Vincenzo Capirola plays a leading role in this flourishing phase of instrumental repertoire thanks to his manuscript dating back to 1517 containing dances, ricercars and transcriptions of vocal pieces of contemporary polyphonists. His writing has a strong originality, especially in his ricercars which have an amazing breadth of composition in the alternation of conflicting moments (such as fast virtuoso scales and slow calm chord successions). Besides, his manuscript is richly decorated giving an additional value from an aesthetic point of view. Thus, in these pages we find a marriage of painting and music according to the Renaissance conception which cultivates and pursues the unity of arts.
"...Paolo Cherici plays the lute and also the vihuela, a guitar-shaped instrument with a more dulcet and less resonant sound. There’s a nice intricacy in the imitative lines (as in Ricercars I and VI) and the playing is good..."
Catherine Moore - American Record Guide - November/December 2014
Claudio Bolzan - Musica magazine (Italy) - September 2014