Background Image Background Image Background Image
background image

TR 0060
StarStarStarStarStar Rating
Log in to be the first to review this disc
Background Image Background Image Background Image
background image
Albany Records Logo
TR 0060
Symphony No. 11

George Llloyd's Eleventh Symphony

The Classical Shop
release date: February 2013

Recorded in 24 Bit / 44.1Khz
album available as a Studio File

Artists:

Albany Symphony Orchestra


George Lloyd



Record Label
Albany Records

Genre:

Orchestral & Concertos




Total Time - 58:42
Background Image Background Image Background Image
background image
Customers who bought this album, also bought...
TR%200032.jpeg
Select Works for Orchestra by George Lloyd
CHAN%2010688.jpeg
Lutoslawski: Vocal Works
NX%200032.jpeg
PANUFNIK: Old Polish Suite / Concerto in modo antico / Jagiellonian Triptych / Hommage a Chopin
CHAN%2010760.jpeg
d'Indy: Orchestral Works, Volume 5
TR%200498.jpeg
George Lloyd's Symphony No. 4 "Arctic"
BI%201751.jpeg
RACHMANINOV, S.: Isle of the Dead (The) / The Rock / Symphonic Dances (Bergen Philharmonic, Litton)

Scroll Scroll

background image
SELECT YOUR MUSIC FORMAT FROM THE OPTIONS BELOW*
onquestion marklosslessquestion markStudio Fileoffquestion mark 
*if you purchase a higher level format, we include the lower formats free of charge
Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless or better
 
DOWNLOADS
Buttonbooklet

Symphony No. 11

     
Select Complete Single Disc for
 

LLOYD, GEORGE

     
 

Eleventh Symphony

 
1 Vivo 17:53
2 Lento 8:53
3 Leggiero e brillante 8:32
4 Grave 7:57
5 Finale 15:27
 George Lloyd


Here’s the work that started it all. Back in 1977 Albany Symphony president Peter Kermani heard a BBC broadcast of Lloyd’s Symphony No. 8 which absolutely enthralled him. When an opportunity struck in 1984, he dispatched Albany Symphony manager Susan Bush to London to commission a new symphony, which resulted in the wonderful Symphony No. 11 from George Lloyd. This present writer was at the premiere on October 31, 1986 and, like the rest of the audience, was absolutely captivated by the work; a piece that blended both thrills and repose, and pageantry and sentimentality-plus many memorable tunes (imagine, in this day and age, a third movement which was an elaborate and kaleidoscopic waltz!). We all believed that George Lloyd was England’s greatest musical secret revealed. This work, along with several of his other symphonies, was initially released on Conifer, but Kermani and Bush were eager to make Lloyd the cornerstone of a new recording venture called Albany Records. Lloyd’s association with the Albany Symphony, for whom he also wrote his Symphony No. 12 (TR 0032, with Symphony No. 1), resulted in guest-conducing engagements performing more of his music (the war-time Symphony No. 4, now on TR 0498, was one of Albany’s first CD’s). We also heard memorable interpretations of Creston’s Symphony No. 3, the Randall Thompson Symphony No. 2 and a delightful series of selections from La Boutique Fantasque. By the time of his death in 1998, his output was relatively small, but the twelve Symphonies have proven to be immensely popular. We at Albany are proud to have been his friend and advocate these past twenty years, and pleased to re-release this magnificent recording in state-of-the-art multi-channel sound.

"...All of Lloyd’s recorded output is worth having, and 11 is as good a place to start as any, especially in so fine a performance and recording..." 

 

American Record Guide

 "...We come now to what is perhaps the most impressive symphony of all, the Eleventh, commissioned and superbly played by the Albany Symphony Orchestra, again under the composer. It is in five movements, the first on the largest scale, but it is the Lento which shows Lloyd at the height of his lyrical powers and in its passionate, expansive romanticism it reminds me of Hanson’s Romantic Symphony...The scherzo is exuberantly graceful, then there is dark funeral music before the exultant, optimistic finale. The performance has all the power and freshness of discovery of a masterwork and the recording is splendidly worthy of the music..." 

 

Gramophone magazine



No User Reviews Found.