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TR 1212
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TR 1212

Sleeper: Symphony No. 1/ Xenia/Six Arias for Cello and Orchestra

The Classical Shop
release date: October 2010

Originally recorded in 2010

Artists:

Frost Symphony Orchestra


Meadows Symphony Orchestra


Russian National Orchestra


Thomas M. Sleeper


Paul Phillips


Zoe Zeniodi


Ashley Garritson

cello

John Duykers

tenor

Venue:

Gusman Hall at the University of Miami, Coral Gables, Florida


Caruth Auditorium, Dallas, Texas


Great Hall of Moscow, P.I. Tchaikovsky Conservatory, Moscow



Producer:

Thomas M. Sleeper


Zoe Zeniodi

(Associate)

Engineer:

Oleg Ivanov


Roy Cherryhomes


Paul Griffith



Record Label
Albany Records

Genre:

Vocal & Song


Orchestral & Concertos

Total Time - 63:45
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Select Complete Single Disc for
 

THOMAS SLEEPER

   
 

Symphony No. 1

24:56  
1 Andante mosso/agitato 4:51
2 Adagio 13:36
3 Misterioso 2:59
4 Allegro energico 3:30
 Paul Phillips
  February 2008  
 

Xenia

27:08  
5 Exile 3:25
6 The Girl Under Water 6:46
7 What Xenia Sees 5:13
8 What will happen to Carus 2:48
9 How Much Could It Have Cost Her? 2:38
10 Calling 6:18
 John Duykers tenor
 Zoe Zeniodi
  February 2010  
 

Six Arias for Cello and Orchestra

11:41  
11 Aria 1 (nox) 2:18
12 Aria 2 (purgatorio) 1:06
13 Aria 3 (hora mortis nostrae) 2:29
14 Aria 4 (maris profundis) 2:00
15 Aria 5 (lamentation) 2:43
16 Aria 6 (chthonios) 1:05
 Ashley Garritson cello
 Thomas M. Sleeper
  June 2006  
  May 2010  


Thomas Sleeper enjoys a highly prolific career as both composer and conductor. An active guest conductor in the U.S. and abroad, Sleeper has appeared with more than 30 orchestras on four continents. His compositional oeuvre to date includes two symphonies, two orchestral song cycles, eight concerti, six operas, numerous chamber and solo works and music for film. Sleeper is the Director of Orchestral Activities at the University of Miami’s Frost School of Music.

"If there’s one thing that American composer Thomas Sleeper does very well, it’s take an idea and manipulate and develop it to its best and fullest potential. ...Very highly endorsed for those of you who seek music with a strong backbone of tradition, harmonic stability and genuine human emotion."

 

Classical Music Sentinel



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