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WH 0017
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WH 0017

Schubert: Der Hirt auf dem Felsen/ Octet in F

The Classical Shop
release date: October 2007

Originally recorded in 2007

Artists:

Robin O'Neill

bassoon

Daniel Muller-Schott

cello

Michael Collins

clarinet

Peter Riegelbauer

double bass

Martin Owen

horn

Malcolm Martineau

piano

Ailish Tynan

soprano

Lars Anders Tomter

viola

Isabelle van Keulen

violin

Peter Brunt

violin

Venue:

Wigmore Hall, London



Producer:

Andrew Keener



Engineer:

Simon Eadon


Hugh Walker

(Assistant)

Record Label
Wigmore Hall

Genre:

Chamber




Total Time - 73:50
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FRANZ SCHUBERT

   
1 

Der Hirt auf dem Felsen D. 965

12:24
  The Shepherd on the Rock  
 Ailish Tynan soprano
 Malcolm Martineau piano
 Michael Collins clarinet
 

Octet in F major D. 803

61:33  
2 Adagio - Allegro 14:52
3 Adagio 11:38
4 Allegro vivace 6:29
5 Andante 11:32
6 Menuetto: Allegretto 6:54
7 Andante molto - Allegro 10:01
Beethoven, Mozart and Ravel Imogen Cooper

Recognised worldwide as a pianist of virtuosity and poetic poise, Imogen Cooper has established a reputation as one of the finest interpreters of the classical repertoire. She has dazzled audiences and orchestras throughout her distinguished career, bringing to the concert platform her unique musical understanding and lyrical quality.

'She is an outstanding artist, one of the finest pianists now playing. Go, listen, and wonder how many better pianists there are alive in this country, or anywhere.'
The Daily Telegraph

'With every piece, and indeed each bar, immaculately voiced and finessed to the smallest rhythmic nicety, this was proof not just of her outstanding musical understanding, but also of her discriminating taste.'
The Guardian

'What immediately impresses is the recorded sound this is just like being present in the Wigmore Hall: and that is surely what any good recording engineer strives for.'
classicalsource.com

"Seldom can that famous Shepherd on his rock have sounded so gloriously heartfelt, or married to such mellifluous clarinet tone ... the sound is fine in a live recording with an imperceptible audience till just the right amount of final applause breaks in, not too loudly for comfort. Outstanding notes from Misha Donat complete a treasurable release"
 

International Record Review

"It was Collins’ dexterity that dazzled, fingers leaping, tossing off the decorative flourishes, impossibly nimble"
 

The Times

"This is the most enjoyable account of Schubert’s Octet I can remember, on disc or in concert ... The sense of a live performance in both Octet and song is beautifully caught. Another fine issue in the Wigmore Hall series"

Gramophone



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