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WH 0018
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WH 0018

Beethoven: Piano Sonata/ Mozart: Piano Sonata/Ravel: Miroirs

The Classical Shop
release date: October 2007

Originally recorded in 2007

Artists:

Imogen Cooper

piano

Venue:

Wigmore Hall, London



Producer:

Marie-Claire Doris



Engineer:

Victoria Oswald



Record Label
Wigmore Hall

Genre:

Piano




Total Time - 78:34
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LUDWIG VAN BEETHOVEN

 

Piano Sonata No. 28 in A major, Op. 101

22:20  
1 Etwas lebhaft und mit der innigsten Empfindung 4:31
2 Lebhaft, marschmäßig 6:21
3 Langsam und sehnsuchtsvoll - Zeitmaß des ersten Stückes - 3:12
4 Geschwinde, doch nicht zu sehr, und mit Entschlossenheit 8:19
   
 

WOLFGANG AMADEUS MOZART

 

Piano Sonata in A minor K. 310

20:46  
5 Allegro maestoso 9:33
6 Andante cantabile 7:44
7 Presto 3:34
   
 

MAURICE RAVEL

 

Miroirs

29:32  
8 Nocturelles 5:14
9 Oiseaux tristes 3:39
10 Une Barque sur l'ocean 7:16
11 Alborada del gracioso 6:35
12 La Vallée des cloches 6:59
   
  encore  
 

CLAUDE DEBUSSY

13 

La terrasse des audiences du clair de lune (from Préludes, Book 2)

5:37


Throughout her distinguished career Imogen Cooper has established a reputation as one of the finest interpreters of the classical repertoire.

Here Cooper performs works by Beethoven, Mozart and Ravel with boundless sensitivity, virtuosity and intelligence. She has dazzled audiences and orchestras alike with her lyrical and engaging quality and on this disc she brings her unique musical interpretations to the Wigmore Hall stage.

Her passion for this repertoire illuminates her performance and having studied in London, Paris and Vienna with the likes of Alfred Brendel and Jacques Fevrier she performs with an authority born of only the most profound dedication. Cooper was appointed CBE in the Queen’s New Year’s honours list, 2007.

"With every piece, and indeed each bar, immaculately voiced and finessed to the smallest rhythmic nicety, this was proof not just of her outstanding musical understanding, but also of her discriminating taste"

The Guardian

"What immediately impresses is the recorded sound - this is just like being present in the Wigmore Hall: and that is surely what any good recording engineer strives for"

Classical Source



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