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ZT 0067
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ZT 0067
COUTURIER, Francois: Musica Callada

COUTURIER, Francois: Musica Callada

The Classical Shop
release date: September 2013

Originally recorded in 2013

Artists:

Francois Couturier

Soloist

Francois Mechali

Soloist

Record Label
Zig-Zag Territories

Genre:

Jazz Contemporary


Jazz Contemporary

Total Time - 52:55
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COUTURIER, Francois: Musica Callada

     
Select Complete Single Disc for
 

FEDERICO MOMPOU

1 

Musica callada, Vol. 1 (arr. F. Couturier, F. Laizeau and F. Mechali)

2:01
     
 

FRANCOIS COUTURIER

2 

Variation 1

2:54
     
 

FEDERICO MOMPOU

3 

Impresiones intimas (arr. F. Couturier, F. Laizeau and F. Mechali)

3:31
     
4 

Musica callada, Vol. 2 (arr. F. Couturier, F. Laizeau and F. Mechali)

3:52
     
 

FRANCOIS MECHALI

5 

Variation 2

2:27
     
 

FRANCOIS COUTURIER

6 

Variation 3

3:09
     
 

FRANCOIS LAIZEAU

7 

Variation 4

1:36
     
 

FEDERICO MOMPOU

8 

Cancons i danses (arr. F. Couturier, F. Laizeau and F. Mechali)

3:19
     
 

FRANCOIS COUTURIER

9 

Palmier d'etoiles

1:34
     
 

FEDERICO MOMPOU

10 

Cancons i danses (arr. F. Couturier, F. Laizeau and F. Mechali)

4:56
     
 

FRANCOIS COUTURIER

11 

Lamentation

3:01
     
12 

Jardin secret

2:11
     
 

FEDERICO MOMPOU

13 

Musica callada, Vol. 4 (arr. F. Couturier, F. Laizeau and F. Mechali)

4:09
     
14 

Cancons i danses (arr. F. Couturier, F. Laizeau and F. Mechali)

5:34
     
 

FRANCOIS COUTURIER

15 

Jeux

1:30
     
 

FEDERICO MOMPOU

16 

Preludes (arr. F. Couturier. F. Laizeau and F. Mechali)

4:06
     
17 

Musica callada, Vol. 4 (arr. F. Couturier, F. Laizeau and F. Mechali)

3:05
     
 Francois Couturier Soloist
 Francois Mechali Soloist


The reinvention by the three françois of the Frederico Mompou’s music is miraculous…

Constantly on the look-out for Mompou’s fundamental idea – that ‘search for sonorous solitude’ mentioned by Jankélevitch, when ‘music has become the very voice of silence, when silence itself is made music’ – they explore, in this work often said to be reduced to its essence, the phenomena of resonance; going beyond minimalism and purely aesthetic effects, they interrogate this form of allusive, playful musical innocence, cultivating the sidestep.

In a subtle interplay of elegant concentration, sometimes deceptively lightweight, the three improvisers distil radiant gems in sound, the result of their preferences (and, above all, not of their premises), which in their restrained emotion defined by avoidances, foreshortenings, ellipses, match the intimate inner monologue of the Catalan composer, that aesthetic of the ineffable with which they have very serious fun.

Bernard Aimé

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