Nimbus Records issued
its first LP recording in 1977. They were pressed in a small factory,
built into the courtyard of a Victorian Country Mansion called 'Wyastone
Leys' on the English/Welsh border close to the ancient town of
Monmouth .
The master-tapes being released had been recorded in the Birmingham
studio built in the late 60s by the company's founders Numa Labinsky,
Michael and Gerald Reynolds . First to be released were recordings
of living legends: Vlado Perlemuter playing Ravel, Hugues Cuenod
singing Satie's Socrate , and the mysterious Romanian pianist
Youra Guller. Probably the most talked about production of those
early days was Bernard Roberts complete Beethoven Sonatas - all done
direct-to-disc.
The style of the company was set from the outset; to be in control
of each step in the recording and manufacturing process, to record
using the simplest microphone techniques, and to encourage performers
to approach recording in the same spirit as they would a concert.
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In nearly 30 years
the catalogue has grown to almost 1,000 titles, and with a very
international flavour. There have never been any special directives
on age, geography or marketing appeal when choosing artists - it
was enough for the Nimbus directors to like you. The Company's
ability to remain truly independent has always been supported
by its LP and CD manufacturing businesses. From the outset
this provided a revenue stream to fund recording activity. It
has also meant that classical music has only ever been a part
of Nimbus's broader business activities in manufacturing and
technology. (John Griffiths' book about the development of Nimbus
is still available: ' Nimbus; Technology supporting the Arts',
pub 1992. Andre Deutsch).
The label got an
enormous increase in funds, beginning in 1984, when Nimbus
opened the first CD plant in the UK . Through to the early 90s
Nimbus's CD plants were market-leaders and with this strength
behind it the label recorded at a dizzying pace. There were some
notable orchestral projects: The Hanover Band in Beethoven, the
English String Orchestra (joined later by the 'Symphony') under William
Boughton in core British repertoire, Adam Fischer's complete
Haydn with the Austro-Hungarian Haydn Orchestra, the BBC National
Orchestra of Wales in Rakhmaninov under its principal conductor
Tadaaki Otaka. Nimbus Founder and President, Numa Labinsky, also
fell in love with the music of the youthful George Benjamin,
and determined to record all his compositions - an arrangement
that continues to this day.
Today the Nimbus family is lucky
enough to have two of the original founders still part of the
team. The company - under a new umbrella
of 'Wyastone Estate Limited' continues with a mixed business base
of music recording and disc manufacturing. We continue to enjoy
our independence, the beauty of the Wye Valley seen from our headquarters,
and the indefinable alchemy of working with musicians who have
something interesting to say. |
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All
Nimbus recordings have a common microphone technique. It is called 'Ambisonics';
the name sounds like jargon, but the concept is elegant simplicity. Recording
is a compromise. The technology each recording engineer uses will be
decided by the compromises he finds the least tolerable. In Nimbus's
case there were two aspects of contemporary recording felt to be unsatisfactory.
First was the fragmentation of the recording ambience resulting from
the use of multiple spaced microphones. Second was 2-channel 'stereo'
playback which presented the listener with a flat sound-world. Stereo
takes no account of the direction and richness of acoustic reflections
occurring in a hall. 'Ambisonics' provided a solution to both concerns
as part of a whole recording/playback strategy. It uses a 'single' microphone
(actually multiple capsules arranged in the closest possible formation)
capable of receiving the direct and reflected sounds from all directions
as they arrive at one point in space. This information is encoded and
stored as four channels. These channels can be convincingly reconstructed
using a decoder and four loudspeakers - two in front and two behind.
We liked it so much we have used it exclusively since 1978, and eventually
bought the patents!
Nimbus
recordings are compatible with stereo playback - they have to
be since that is the market - but the effect of realism is completely
transformed when experienced in 'Surround-Sound' as we intended. And
with home-cinema systems leading the 'surround' charge we retain some
vestigial hope that stereo might be gracefully pensioned-off before too
much longer!
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